Analog Man in the Digital Age

Analog Man in the Digital Age
The Engineer’s Dilemma

Being a Somewhat Rambling Musing on the Information Age

We live in an interesting time. We have come out of the Industrial Age and into the Information Age. More and more the world is connected digitally, but paradoxically, people feel more lost than ever.

Partly, this is caused by a disconnect between the analog and digital world, and a loss of tangibility and analog character.

Let’s take the example of a letter. In the old days (not so long ago) a letter would be written by hand, pen to paper. Then came the typewriter, and here is where the engineer’s dilemma comes in to play. The typewriter, when it comes to the task of conveying text, is vastly superior to handwriting. It is far more legible and consistent than handwriting. From an engineer’s perspective, it is a better solution to the problem of how to record text. It’s pretty black and white, there are a number of advantages to type over handwriting, from an engineering perspective.

But there is a sterility, a loss of analog character, that takes place when transitioning from handwriting to type. The essence of the message is intact, but the flavor of it, the subtle changes in handwriting, the ability for non-linear writing, the insertion of non-textual doodles, the feel of the line quality from pen or quill as ink grows lower, all that is lost.

Take that to the next stage, and the typewritten letter becomes an email. In that transition, the look is more or less the same, black type on a white surface. From an engineering perspective, the gains are substantial. By making the information digital, it can be transmitted nearly instantaneously anywhere in the world, copied to other locations for redundant backups, and indexed and searched easily. But here, there is also a loss of analog character. The transition from paper to screen has come at a cost of tangibility.

This is more substantial than it might seem, because we are analog animals, and all of our senses are important to us. For example, a letter might have a scent, applied either accidentally or intentionally by the sender, which not only relays sensation to the recipient, but also helps form stronger memories. In an email the physical form is gone, which to means not only a loss of tactile sensation (the thickness of the paper, the flipping from page to page) but also a loss of potential context.

Emails are usually always read in the same place: while sitting at one’s computer. A letter is received at the same place, the mailbox, but might be opened and read in any number of places. This loss of context removes potential context that could form more meaningful memories, such as reading a letter from your lover while sitting at a kitchen table, the sunlight glinting in and the smell of fresh-baked muffins in the air, or reading the same letter while on a noisy crowded subway on the way to work. Memories are more solidly formed when they are associated with all senses at once, and can be triggered in the future by stimulus to any of those senses. In the subway example, years later you might be on a train, and the swaying motion might suddenly bring back the memory of reading that letter, and bring a wistful smile to your face. By homogenizing the letter-reading experience, each email is much less likely to have unique environmental context, or indeed much content beyond purely visual.

Digital content is generally higher-quality than analog content at this point (from the view of production value and perceived “professional” quality), it is slicker and better produced. In a few clicks, a person can create a pleasing slide show of high-quality images. But it is the analog character, the “fiddly bits” that makes people yearn for an old photo album, with photos stuck in slightly crooked, and handwritten notes on the backs. “Scapbooking” is a hyper-extension of this analog character, and the abundance of textures and visuals, the crunchy analog feel, has made this hobby incredibly popular.

So this is the engineer’s dilemma: how to preserve the analog feel in a digital world?

Arthur C. Clarke once famously said “sufficiently advanced technology is indistinguishable from magic” – and this is one place that engineers can look. Engineers are technology-minded, so will most often look forward for solutions.

An example of this is the digital picture frame. It takes the intangible digital photos on your computer and places them in a tangible item. Displayed on the digital frame, the picture can be used in an analog way, it can be picked up, brought closer for examination, and carried around. As technology improves, it could become more and more analog, to the point where the frame could be the size of a polaroid, and a special pen could be used to write on the photo and on the back of the photo, and calling up a particular image would call up the handwritten notes as well. It will essentially become a magic polaroid, almost exactly like the analog ones, but able to be changed at will, perhaps responding to spoken command or even your mood.

Another example is the Nabaztag, which acts as an analog bridge from your computer – it is a rabbit-shaped gadget that can flash different colors or wiggle its ears to indicate things like incoming emails, or the weather forecast. Silly and frivolous, yes, but by branching a tendril into the analog world, it allows the computer to interact with people more on their own plane, and in so doing, become potentially more relate-able, more lovable.

The loss of analog character and tangibility makes it harder to make an emotional connection to digital content than similar analog content. Although a child can form a connection to an animated teddy bear on a computer screen, that connection comes much easier if it is an analog teddy bear that they can touch. In the movie A.I., one character is a robotic teddy bear, designed to play with children. He bridges the digital/analog gap, like Nabaztag. He is a tangible conduit to digital data, a computer in the shape of a teddy bear, able to interact by engaging multiple senses.

DRM issues aside, one objection people have to digital books is the experience. The screen is capable of displaying text very similar to printed text, but the tactile experience is a flat, cold device, with buttons and menus and plugs and wires. But it is not inconceivable that in the not-too-distant future, you could pick up a book and say “I would like to read Homer’s Odyssey” and the cover would change to Homer’s Odyssey, and all the pages would magically fill with the text. Perhaps a bookmark would even unfurl, showing where you left off last time.

But that is the not-too-distant future. One thing that can be done relatively easily, and right now, is personalization. Allowing data to be displayed in the manner a user wants allows a digital experience to have a more analog feel, without electronic rabbits or nanotechnology. This is clearly evident in cellphones, where users can change the ring sound, background, menu, and other things to make the device more unique. This customization imbues the device with some analog character. Recently Google added an option to customize the look of your Gmail account, which gives the interface a more analog feel.

It’s a situation that arises again and again, as newer technologies try to supplant older ones.

Current computer operating systems represent the ongoing struggle to provide analog metaphors for digital content. “File Folders”, icons that look like pages, tabbed and windowed documents… all symbolic representations to give things a more analog feel.

It’s an interesting problem, from an engineering perspective. And not just in an academic sense. This problem, in fact, is what I currently do for a living, as I try to convert print catalog production systems from sheafs of paper and handwritten notes in a folder into a database with a (hopefully) user-friendly front-end.

It’s very difficult to supplant an analog system with a digital one, even if the digital system will speed production and reduce costs. Even though the system being used is now the web-based application that I am working on, some users still pass around folders with catalog section names written on them, even though the folders are now empty, and only symbolic. They persist because we are analog creatures, and tactile, physical things are more meaningful to us then digital representations on a screen.

It’s my dilemma.


I just finished “Childhood’s End” by Arthur C. Clarke.

Very good, thought-provoking… but with a very depressing ending. It’s supposed to be a happy ending, in a way, but at the same time it left me with a profound feeling of loss.

Now I’m reading “The Boy Who Knew What the Birds Said” which is a book of fairy tales in the classical vein, with that dreamlike sense of wonder. It starts out:

There is one thing that all the Birds are afraid of, and that is the
thing that will happen when the Bird That Follows the Cuckoo flies
into the Cuckoo’s mouth.

And what will happen then, asks my kind foster-child.

When the Bird that Follows the Cuckoo flies into the Cuckoo’s mouth
the World will come to an end.

All the Birds know that, but not all the People know it.

Since it was written in 1918, it’s Public Domain.
You can read it here for free, if you want.


A new version of Delicious Library is out!

If you haven’t heard of it before, it’s a program from the Mac for organizing your books, dvds, and such.

The new version adds more categories, including gadgets, toys, and tools.

Another thing they added is an option to export to a webpage. It’s not the best export, it’s a little buggy and has some design issues, but it’s decent enough.

You can check out my library here!

Might logic prevail?

Finally, some intelligent discussion of video games and their impact on children (even though the book has a rather sensationalist title).

“Video game popularity and real-world youth violence have been moving in opposite directions. Violent juvenile crime in the United States reached a peak in 1993 and has been declining ever since. School violence has also gone down. Between 1994 and 2001, arrests for murder, forcible rape, robbery and aggravated assaults fell 44 percent, resulting in the lowest juvenile arrest rate for violent crimes since 1983.”

Part of a 3-part writeup on the upcoming book “Grand Theft Childhood: The Surprising Truth About Violent Video Games”

Part 1
Part 2
Part 3

The dwindling light of a golden age

All my favorite authors are, one by one, shuffling off this mortal coil.

Shel Silverstein, Roald Dahl, Dr. Suess, Issac Asimov, Douglas Adams, Kurt Vonnegut… the list goes on and on…

and now, Arthur C. Clarke.

“I want to be remembered most as a writer.

If I have given you delight,
by aught that I have done,
let me lie quiet in that night,
which shall be yours anon:

And for the little, little, span
The dead are born in mind,
Seek not to question other than
The books I leave behind.”

-Arthur C. Clarke’s farewell message, recorded last year.

A great enlightened man, not just writing about the future, but helping to create it.

Ray Bradbury’s still alive, at 87… Ursula K Leguin is still knocking about at 78… but most of the other authors I grew up with seem to be dropping like flies of late.

On the plus side, the simple fact that they are authors means that a chunk of their wit and imagination will last forever, trapped in the amber of books.

Great Satirists

Some great satirists I’ve been reading lately, who seem to share some mental kinship – perhaps only the kinship of shared genre, but it feels like something more:

Mark Twain
Kurt Vonnegut
Hunter S. Thompson
Tom Robbins

They all possess a great love of language, a dualistic dark but somehow optimistic view of humanity, disgust at bureaucracy and organized religion…

Seems like they are the kind of people that it would be great to go out for a drink with, to sit at a table in a dingy bar, toasting doomsday and discussing humanity.

Indiana Jones

So Dr. Jones is back for one more round, they just announced the title of the new movie, “Indiana Jones and the Kingdom of the Crystal Skull“. Doesn’t exactly roll of the tongue, but I’ll give them the benefit of the doubt.

Also, I read “Holes” tonight. Good little tale, a quick and enjoyable read.

Marketing Classic Books

So I had an idea that I thought I’d sketch out last night…

What if overzealous marketers wanted to promote classic books, but had never read them, and didn’t want to take the time to?

So here are some cover designs and taglines, based only on the book title.
They’re really rough, but convey the basic idea…

You can also see higher-res versions on Flickr.

“They were separated by age, but brought together by love. The tale of the forbidden passion that shocked a nation! – 19 / 84 – George Orwell”

“The life of a porn star is a hard one. – Moby Dick – A ribald romp by Herman Melville”

“Their mission: colonize Mercury. But they were not alone… – Fahrenheit 451 – Ray Bradbury”

“The FBI’s top agent has only 3 days to stop 22 criminal masterminds! – Catch-22 – Joseph Heller”

“Revenge is a drink best served with poison. – The Grapes of Wrath – John Steinbeck”

“When you want to get away from… your life. – Uncle Tom’s Cabin – Harriet Beecher Stowe, the master of horror”

“He can see you, but you can’t see him. – The Catcher in the Rye – J.D. Salinger”

The Jungle – A handy guide to visiting the Amazon. With full-color photos! – Upton Sinclair”

“An Oprah Book Club Selection! – Oliver Twist – He’ll dance his way to the top, and into your heart. – Charles Dickens”

The Time Machine – An illustrated history of the wristwatch. – H.G. Wells”

“All he ever wanted was to play football. – The Hunchback of Notre Dame – Victor Hugo”

Rum Diary and Darker Days

I just finished reading Hunter S. Thompson’s “The Rum Diary”, and I can’t help but feel old and doomed.

In the book, he is almost 32, and talking about how old and weathered he feels… and I am already 32, on my way to 33. I can’t help sometimes feeling like it’s over, the whole kit ‘n kabootle has passed me by, and it’s only now, in the final moments, that I realize it was even moving past me. Too slow to realize, so damn clever that the simplest of facts bypassed me entirely.

The book, for some reason I cannot quite place my finger on, reminds me of The Great Gatsby. Maybe it’s the crazed relationships, with the backdrop of crazed parties. Perhaps it’s the solid sense of place and time, even though the two are about very different places and times, they are both solidly placed. They are both narrated by a character who stays on the edge of things, involved yet convincing himself that he is objective and outside it all.

In both cases, I could easily relate to the main character/narrator – despite differences, they seem to have some fundamental core that I can latch on to, that I can see in myself. So in a way, by relating to Paul Kemp, I’m allowing him to speak for me, and in this case, the sentiment he’s expressing is that of feeling very old, worn ragged by the scrapes of everyday existance.

Heh, I could use a drink.